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Billy knew by sight the two Italians who lived there, brothers yet enemies. Each dwelt by himself in a corner of the great building.Each cultivated alone his share of the straggling vineyard on the heights above, too steep and rocky for a plough; though the lush acres on the river bottom went fallow. If either overstepped his bounds they fought. Billy had seen one of these encounters; and the fierce fire in their dark faces, the passion in the foreign words they spoke,—oaths the boy felt they must be,—sent him flying home, tinged his dreams for many a night.,“I am not going to let you see any more compositions,” exclaimed Nell, “You are just making fun of my poor children.”,“I’m sorry to make you late with your mowing, Billy, but I must have you go out to Mrs. Prettyman’s for some cream she promised me.”,He ran back a few steps and found a loose board he had climbed over when coming up. This he carried to the edge of the wall. “When I call,” he spelled out, “break window, use chair, come across on board.”,Yet it was very strange, they were all happy! Happier, she felt, than her own mother with maids and money, gems, rich gowns, and her motor car at command. Why was it? “Those that won’t work shouldn’t eat.” Could that be true? Then she should not eat, for she never worked. She wondered how it would seem to work.,“How do you know?”,The amused laugh of Nell Gordon, who sat beside Mrs. Wopp, floated past the youthful pair in front and perhaps helped to embue Moses with the reckless spirit of Jehu. The boy secretly admired his teacher, though he had an idea he would soundly pummel any boy with sufficient temerity to accuse him of it.,“Say, little kid, what’s your name?” he asked, merrily, as he routed a great white cat from his own chair and placed it before the fire for the child.,“I hate to have you stay without Jean,” Billy objected.,Edith came in dressed for church.,Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.,“Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.”.